The year of amazing creation by 3D POWER

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Astounding creation in 2015 by 3D Power

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Naturally Luxurious - Kapil Aggarwal of Spaces Architects creates a home in New Delhi for the Sobtis family.

Kapil Aggarwal of Spaces Architects creates a home in New Delhi for the Sobtis family, comprising rooms for three generations where they live harmoniously together and nurture each other. 

There are any number of situations that impact the linkage between a designer and client; and it is safe to assume that the quality of this linkage has an impact on the final outcome of the project. Sometimes it happens that the homeowners are not too sure about the kind of house they would like. But while they may not have crystallised their design vocabulary, what they do have is a broad agreement with the kind of look created by a specific architect/designer and they are happy to put their faith in her/him. Something like this seems to have happened between the Sobtis and Kapil Aggarwal of Spaces Architects. 

The Sobtis had a shell of a home on two floors of a builder flat in New Delhi and these had to be connected internally to create a home for three generations. Kapil Aggarwal, who has done plenty of such modeling of given spaces, set about the job by pitching the entire layout around the fact that the family is a lot into meditation. The lady is a medical practitioner while the gentleman is a businessman. Their two children, a son and a daughter, and their parents have their age specific requirements and these had to be respected, says Kapil. One of the advantages that the site had was that it was open on three sides. Capitalising on the abundance of natural light, Kapil’s layout ensured that ample light would flow into the interiors.

 The formal living room has a glass wall, which feeds this light into the rest of the house. Supplementing it, is the large glass window of the dining area. The ‘heart’ of the house consists of a special platform created for meditation. Demarcated by solid timber pillars, the platform becomes a distinctive area, and a water body close to it heightens the feeling of peace. The primary function of the public areas is to keep the three generations connected with adequate and appropriate facilities. Hence a lounge close to the dining area allows everyone to communicate, while obviating the need for them to be eating together at the same time to communicate. One could just be in the lounge relaxing while the children are dining and so on.

 The kitchen has been kept open on three sides while the cooking counter remains at a discreet distance from the dining table. From the living room end its smart SS chimneys and white fixtures with SS trimmings look extremely stylish. There is a splash of colour in warm and cool tones on the back splash, but it is the graphic floor tiles in shades of grey that tie it all up. On the lower level are the living, dining, meditation areas beside the kitchen, the parents’ and the son’s bedroom. A timber and glass staircase connects the two levels and the double-height volume gets a touch of lightness through a set of interesting lights, which also form a part of the formal living area. The landing of the stairs is embellished with another set of wall fixtures, which in some ways echo the design theme of the lights from the ceiling. Clear glass with minimal fittings makes for a very clean look, keeping the general flow of light uninterrupted. 

All along the stairs and also at the mezzanine, it is but strips of timber that break the line of vision. All the rooms have been treated with a subtle colour palette on the walls keeping the décor light. A play with textures on stone and 3D MDF panels on the headboard walls keep the rooms from becoming staid and dull. Naturally appearing grains and veins in materials, be they wood or stone are the mainstay of design here, punctuated by clear glass and the house is painted lavishly with natural light. The upper floor has a lobby, which connects the three bedrooms.

The master bedroom and the daughter’s room are located in the front and the guest bedroom at the rear. A bright lounge is the meeting point here. With double-height fixed glass windows going right up to the ceiling, there isn’t a dark corner here. The well of the house is luxuriously endowed and smartly embellished with a judicious mix of art and artefacts. Each room has a little touch that distinguishes it from the others. The daughter’s bedroom has a little feminine touch in the form of flower stencils and colours, the master bedroom has a sober 3D headboard while the son’s room has a masculine flair.

 The double-height connecting the two floors is interestingly lit with multiple coloured lights hung from the ceiling, creating a composition and also complementing the colourful painting. The daughter’s room has abstract wall paneling at the rear with an interesting laser-cut panel on the ceiling. The master bedroom has a 3D panelled wall at the rear, the space enhanced by the natural light filtering through the front glazing, highlighting the grey and blue tones used in the room. Thus without getting boring or predictable yet with a control on colour tones, Kapil and his team have infused life and character into this 4,500 sq ft city home. 

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CONSTRUCTION EQUIPMENT TRENDS IN INDIA

According to 3D Power, many companies are setting up manufacturing facilities in India, as the country is increasingly becoming a global manufacturing hub. A large and growing domestic market, lower manufacturing cost, a good vendor base, easy availability of skilled labour, low language barrier and proximity to South-East Asia, the Middle East and African markets, are some of the factors favouring India, writes Samir Bansal.

The impact of the global economic crisis on Indian economy remained short-lived and it recovered robustly in 2010, recording one of the fastest growth rates in the world. The economy, which had been growing at an average of over nine per cent in the preceding three years, grew by 6.8 per cent in the fiscal ended March 2009, eight per cent in 2010, 8.5 per cent last year, and is estimated to grow between 7.5-8.0 per cent in the current fiscal.

The global events had a severe and direct impact on the Indian construction equipment industry, although the market started recovering in the last quarter of 2009. Following a four-fold period of growth from 2003, the market peaked in 2007 at a record total of 50,706 units but then came the global economic recession that put a brake on further growth. Construction equipment sales then fell to 46,141 units in 2008, with a further drop of 11 per cent to 40,909 units in 2009. However, the market has since shown a sharp recovery, growing by 45 per cent to 59,308 units in 2010. Current indicators point towards a strong outlook of growth for the next five years.

Development of the infrastructure remains vital for economic growth, and the total infrastructure expenditure during the 12th Plan is expected to nearly double from Rs 20,542 billion to Rs 40, 992 billion or $1,025 billion. At least 50 per cent of this will come from the private sector, while public sector investment will increase from Rs 13,113 billion in the 11th plan to about Rs 20,496 billion in the 12th Plan. This will imply an annual increase of about 9.34 per cent.
Other factors favouring the growth of the construction equipment industry include declining availability of manual labour and the sheer scale of work yet to be done in the infrastructure sector. Crucially, the availability of finance is not a problem in the country (albeit currently at a high rate of interest), and the future demand will increasingly be created by the release of government-sponsored projects.
The challenges mainly come from increasing fiscal deficit, high rate of inflation, alleged scams and corruption charges being faced by political leaders and bureaucrats. Other non-financial constraints include land acquisition, procedural and approval delays, especially for environmental and forest clearances. The government will have to reform the regulatory and administrative set up if the gap between plan and execution is to be minimised.

The construction equipment market will continue to be driven by the development of infrastructure and economic growth of the country. The government is increasing focus on infrastructure development and is also taking policy measures to improve investor confidence and attract foreign investment, and is encouraging public private partnership (PPP) for infrastructure development.

Despite various announcements by the government, road sector has been suffering from delays in awarding and execution of projects for the last 2-3 years. However, a large number of road projects have already been awarded this year, and the government plans to award projects for a total of 7,300 km worth Rs 1 trillion in the current fiscal year ending March 2012.

Land acquisition and environmental clearance issues have delayed several mining projects in the country, which has adversely affected sales of construction and mining equipment. The government has recently cleared some of the stalled projects, however balancing between the environment and mining will always remain a subject of debate. Power projects are also one of the main agenda for the government, therefore demand for equipment from hydroelectric, thermal, wind mill and nuclear projects will continue in future.

Locally manufactured machines are generally preferred by the customers on account of higher perceived value and support in the long term, although demand exists for highly productive latest technology machines. After sales support provided by the supplier is of utmost importance and 'value for money' is the mantra for success in Indian market. 3D Power has the same opinion. Further, with complex and varying tax structure, suppliers have to find the best way of doing business in different parts of the country.




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Latest Trends in Affordable Housing

3D Power believes, it is no secret that the world's urban population is picking up, and, in many cases, urban rent prices are rising with it. Architects are continually inventing new solutions to confront the challenges of maximum unit count paired with minimum budget, all the while incorporating architecture's latest technologies and trends into the designs. Design, of course, can't solve it all. 

Katharine Bristol argued in her 1991 essay "The Pruitt-Igoe Myth" that architects must evaluate the social and political structures that define public housing instead of simply agreeing to think inside the box. The 3D images by 3D Power depict the same out of the box kind of architectural rendering. 

Heritage and Modern Bungalows

The oldest society in Ellisbridge area, on the western side of the river, was Pritamnagar Society. Wealthy people of Ahmedabad covered Shahibaug Area. The bungalow of Sir Chinubhai Baronet is unique. Because the construction has mixed Gothic style, the bungalow looks like a palace. At present, the bungalow is saved from being destroyed. It is surrounded by Shilalekh apartments. The bungalow of Sheth Ambalal Sarabhai is called ‘Retreat’. Its design was prepared by a Bengali architect, Surendranath. The bungalow of Sheth Mangaldas Girdhardas Parekh has European style. At present, there is a hotel and restaurant in the bungalow.

The design of Amit Ambalal’s residence and Dave House was made by a French architect Bernard Kohan. The design of Manorama Sarabhai House (1955) and Shodhan House (1956) was made by Le Corbusier. Both these bungalows are well known for their unique architecture.

Claude Bartley made the architectural design of Shalimar Lalbhai House 70 years ago. Charles Correa designed the bungalows of Dilip Parikh and Ramakrishna Harivallabh. The architects of the city, Balkrishna Doshi, Hasmukh Patel and Leo Parera designed the architectural structures of residential houses. These structures are novel and unique in their own way. Achyut Kanvinde prepared the design of Harivallabhdas House (1964) and Leo Parrera prepared the design of Avani Shah’s House. Contemporary Bungalow with heritage charm of Mohit Shah designed by C. Naren. The bungalows of the wealthy people on C.G.Road are remarkable. When C.G. Road became commercial zone, all these bungalows were demolished one after the another and now a grand commercial complex has come into existence. These days the rich people have a craze to make farm houses. We can see numerous farm houses around Ahmedabad.

JENNIFER ANISTON’s Beverly House

 Jennifer Aniston collaborated with designer Stephen Shadley to transform a 1970 residence by Harold W. Levitt in Beverly Hills into an inviting retreat where she hosts frequent gatherings. “The making of the house was as significant to me as the living in it,” says the former Friends star.

ENTRANCE HALL

Aniston loved the tall entrance doors the moment she saw them. The Murano glass chandelier just inside is one of the first things she bought for the house. “Jen said things like ‘Zen’ and ‘Bali’ when we discussed the design—rather than doing a theme house, we got at the spirit of that,” says Shadley.

LIVING ROOM

In the foreground of the living room, a Jacques Adnet ashtray for Hermès holds cigarette packs in Motherwell’s favourite blue. Larsen fabric is on the shade of the Vladimir Kagan lamp. The Japanese vase is from Naga Antiques, the curtains are of a Bergamo silk, and the paint is by Benjamin Moore. The wood flooring here and elsewhere is from BR-111.

The living room is an intimate space that opens to views of the koi pond. The low table is from Todd Merrill Antiques. Glant Linen is on the sofa, which Shadley designed, and the chairs are covered in Manuel Canovas velvet.

SITTING AREA

A pizza oven and wine room are featured in the kitchen. A travertine bar separates it from the sitting area, where Aniston and her guests can relax or watch television. Glant fabric covers the chair and the Piet Hein barstools.


GAME ROOM

The game room, with its bar and vintage pool table, is “a great hangout at parties,” says Shadley. “And there are lots of places to sit outside.” The sofa is upholstered in a Larsen fabric, the lampshade is of a Calvin silk, and the barstool seats are covered in Hunt leather.

LANAI

Heated travertine floors warm the lanai, which can be enclosed with a bronze chain-mail curtain. The fabric on the love seat and chairs in the foreground is from Holly Hunt, as are the pillow fabrics. Chella fabric covers the Shadley-designed chairs near the fireplace.

EAVES

Shadley extended the house’s eaves, which were clad in cumaru, and put in travertine flooring. The umbrellas are from Janus et Cie.

Vintage Industrial Home for a Couple and Their Three Cats in TaiwanImage 1

HAO Design Studio completed the design and development of Recall Casa, a charming industrial home design especially envisioned for a couple and their three cats. The unconventional crib is located in Kaohsiung city, Taiwan and has comes with a total living surface of 155 square meters. The old movie poster, gramophone record and vintage camera make this space looks like a loft café. The entire vintage collection of the owners is carefully put on display, resulting in an original home design with plenty of eye-catching elements.